People's experiences of bodies in London vastly differ through the many ways of knowing and experiencing them. For a textile artist observing surgery, its strata are different kinds of fabrics and textures of incredible variations of color. For a surgeon, the multitude of colors may have never been remarkable due to their focus on other aspects, or perhaps they have become muted by repetition and through time. A surgeon Fleur has collaborated experiences the body in greyscale, a skillful adaptation for reading nuances in X-rays, Ultrasounds, and CAT scans. Other surgeons see colors outside the body firstly as organs. Amused at the differences in perspective, Dr. Bicknell explained to a group of surgical residents that Fleur sees "burnt umber sunset" and he sees "pancreas color." Rather than navigating the inside of the body by landmarks of tendons, muscles, joints, blood vessels, or internal organs, Fleur navigates by color. An example of her perspective is the direction of, "past the peach, blue, pink bit, there is a kidney."

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Rather than seeing blood vessels being connected or repaired, Fleur sees threads and delicate vintage lace. Resulting, Dr. Kneebone has utilized the term, "vintage veins' when speaking to students or members of the community. This linguistic cross-pollination appeared frequent in observation and research, both online and offline between Fleur, Dr. Bicknell, and Dr. Kneebone, as well as Dr. Gallivan and Paul. Dr. Kneebone states that we experience through what we know, and people observing the same thing experience it differently. He often poses this in various contexts through the framework of the ambiguous drawing of the rabbit (or duck) stating often, "In his practice Colin sees ducks, and Fleur sees rabbits." While their sensorial experiences of the body are different, their expert training and skills with fragile materials and thread connect them very closely. Similarities emerge with uses of tension, material navigation, and material disaster. They each are acutely aware of the risks when navigating their delicate materials, "balancing function and aesthetic" in the same ways, Dr. Gallivant observes. Paul refers to this skillful ability as "material transcription" Use of body aligns their practices as well, Fleur mentioning that she can tell precisely how surgeons are fingers are moving and feeling while in surgery by looking at their forearms and wrists. Dr. Bicknell says that without ever having performed surgery, Fleur handles the layers of the Textile Body with her hands more skillfully and delicately than most surgeons do with layers of the body. This collaboration has brought to light for those involved many insights and transferable skills that have improved their practices and pedagogies. 

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Following the digital archeology link on this website, one may find online reflections of these acumens from members in the collaboration and others who have entered their operating spheres and Textile body's.